Artist LaToya Ruby Frazier says her work is about finding a balance between the politics and the poetics of documentary photography. Her work is gripping and highly personal, often involving family members. Just 30, Frazier is in the 2012 Whitney Biennial, where her work is attracting wide attention.

(Source: nanablog)

Artist LaToya Ruby Frazier says her work is about finding a balance between the politics and the poetics of documentary photography. Her work is gripping and highly personal, often involving family members. Just 30, Frazier is in the 2012 Whitney Biennial, where her work is attracting wide attention.

tobia:

Yo! LaToya Ruby Frazier is coming to CCA?! Just died a little. Holy shit!!

* like *

tobia:

Yo! LaToya Ruby Frazier is coming to CCA?! Just died a little. Holy shit!!

* like *


“If the individuals and families most affected during the Great Depression had photographed themselves instead of being shot by government-commissioned photographers,” asks the artist LaToya Ruby Frazier, “what would their own self-representation look like?” For the past 10 years, Frazier, 30, who grew up in the blighted steel town of Braddock, Pa., has sought to answer that question, photographing her family — her mother and grandmother in particular. Next month’s Whitney Biennial will include a series of intimate, unflinching self-portraits Frazier took in her grandmother’s house, where she helped care for her step-great-grandfather (a former steelworker who suffered from multiple, chronic illnesses) and which is now abandoned. “I witnessed his body decay and crumble,” says Frazier, drawing a powerful metaphor for her hometown. “Without financial resources or better access to health care, I did what came natural. I documented it.”


go Toya…. go Toya…..

“If the individuals and families most affected during the Great Depression had photographed themselves instead of being shot by government-commissioned photographers,” asks the artist LaToya Ruby Frazier, “what would their own self-representation look like?” For the past 10 years, Frazier, 30, who grew up in the blighted steel town of Braddock, Pa., has sought to answer that question, photographing her family — her mother and grandmother in particular. Next month’s Whitney Biennial will include a series of intimate, unflinching self-portraits Frazier took in her grandmother’s house, where she helped care for her step-great-grandfather (a former steelworker who suffered from multiple, chronic illnesses) and which is now abandoned. “I witnessed his body decay and crumble,” says Frazier, drawing a powerful metaphor for her hometown. “Without financial resources or better access to health care, I did what came natural. I documented it.”

go Toya…. go Toya…..

* does a lil dance * go EnFoco, go EnFoco, go EnFoco, go EnFoco

* does a lil dance * go EnFoco, go EnFoco, go EnFoco, go EnFoco

I had an amazing time at the Museum Mile.  Finally got around to visiting a few  places I’ve been meaning to visit for months! The next few posts will give you a glimpse of my favorite pieces!


LaToya Ruby Frazier, Moveable Feast at the Museum of the City of New York

I had an amazing time at the Museum Mile.  Finally got around to visiting a few  places I’ve been meaning to visit for months! The next few posts will give you a glimpse of my favorite pieces!

LaToya Ruby Frazier, Moveable Feast at the Museum of the City of New York


LaToya Ruby Frazier’s “The World is Yours,” 2009, is on view in MoMA P.S.1’s “Greater New York.”

Click Image for an interview with one of my favorite artists and friend :)

LaToya Ruby Frazier’s “The World is Yours,” 2009, is on view in MoMA P.S.1’s “Greater New York.”

Click Image for an interview with one of my favorite artists and friend :)